) Herodotos's narrative of these events implies that Kyaxares continued to rule the Medes through the period of the war and the following negotiations. Hence they defend this or that eclipse date based on their own view of what Thales' methodology must have been, without consideration of the problematic chronologies involved. ), he may have learned of some other principles upon which he based his prediction. They speculate that, although Thales could not have used a methodology developed by Chaldean astronomers ( Other scientists disregard historical factors altogether in their attempts to save Thales and his prediction. If the solution is that simple, then the year 585 can be of litte consideration for historians attempting to set these events into chronological sequence. ) There was no eclipse prediction hence what Herodotos's reports about Thales a myth. Nonetheless, historical considerations have become so enmeshed with the discussion of astronomical issues, that some discussion of them will become necessary during the course of this presentation.Ī number of scientists have a-priori doubts about the ability of Thales to predict solar eclipses.
Was it done on the basis of the calculated acme of Thales? Was it by association with the names of dates of the rulers, the Median king Kyaxares and the Lydian Alyattes who, Herodotos says, quit warring with each other owing to this portentous apparition that occurred during one of their battles? Did they have a dated list of eclipse events from which they selected the one most nearly approximating the historical facts surrounding the battle? These issues are incidental to the purpose of this paper, which is to offer a novel set of considerations about the eclipse, Thales prediction of it, and Herodotos's misunderstanding of it. Just how the ancients arrived at these dates is puzzling. Since nineteenth century science affirmed that there was a total eclipse visible in the Aegean and Asia Minor on 28 May 585 (a date that corresponds very well with Pliny's date), some modern historians seize upon this as the solar eclipse which Thales foretold and therefore the date of the battle. Historians of later antiquity dated the eclipse to the 49th or 50th Olympiad (585-577). When the Lydians and Medes alike saw that it had become night in place of day, they broke off the battle and hastened on both sides with even more speed to bring about peace for themselves. A prediction that this inversion of the day was going to happen, was made publically by Thales of Miletus in announcements to the Ionian people he proposed exactly the same period favorable for it as the one in which the omen actually occurred. While they were still struggling for the upper hand in this war, during a battle begun in the sixth year, it happened that when the fighting had been joined, day suddenly became night. During this time on some occasions the Medes won a battle over the Lydians, while on other occasions the Lydians prevailed over the Medes. The eclipse, Thales prediction of it, and the historical circumstances for which it was relevant are detailed only by Herodotos (1.74): After this, because Alyattes refused to surrender the Scythians despite the ongoing pleas of Kyaxares, a war ensued between the Lydians and Medes over a period of some five years. Drawing influences from Dusky, Nicole Moudaber, Richie Hawtin and Adam Bayer, his productions blend bass, rhythmic depth and melodic contour as he continues to push the boundaries of sound and experimentation.AZ surrounding Thales' prediction of a famous eclipse event and its dating stem from antiquity and continue into the present. What Modus has created is the perfect track to transition to a late night festival set, striking the perfect balance between Becky’s light and airy vocals and the darker, more moody tech beat and bassline.Īs an Insomniac Discovery Project winner, Modus is no stranger to festivals himself, having played EDC New York, back-to-back years at EDC Las Vegas, and he held a prior monthly residency at LA’s Sound Nightclub. Modus rebuilds the entire song from the ground up, starting with a techy, syncopated beat as the background to the original track’s vocals, only to fade as Becky Jean Williams sings, “I think I love this.” As the chorus continues, warbling strings and a thick warm bassline emerge, complimenting the soft, cooing vocals. Oh, and as they say “the best things in life are free,” so too is this download.
Up-and-coming Los Angeles-based techno producer Modus offers up a stripped down, tech house remix of Late Night Alumni‘s latest release “The This This,” the first single off their forthcoming album Eclipse to be released on Kaskade‘s Arkade label sometime in May.
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